“This is a fun and immersive read. Rod Carley’s humor is quick-witted and visual. Rod paints the scenes beautifully enabling you to truly travel with Will on his personal odyssey. Everyone will enjoy this read but if you are Canadian it adds another complete layer of enjoyment. Buy and read this book, you will not regret it! Mr. Carley’s First Novel Has Won me Over as a Future Loyal Reader.”
“Well done “b’y”! Did I ever enjoy every line of Mr. Carley’s book. It was hard to believe it’s only his first novel.
I liked this book so much that I actually took the time to mark favorite lines and passages that fairly jumped out and grabbed me. I reread them. I remained thoroughly engrossed as Will triumphs at theater school; begins a promising career in the Canadian theater scene; until everything blows up in his face (his own fault) and he finds himself working at a Toronto call center. But that’s not the end of this story. He goes searching for an epiphany in a freezing Newfoundland outpost.
This novel has an abundance of eccentric and off-beat characters. You’ll read about sex, lies, dysfunctional relationships and shattered dreams.
It offers consistently witty dialogue and heart-wrenching observations of the human condition.
Mr. Carley’s writing compelled me to keep reading. I didn’t want to put this book down, and that’s a rare talent. That’s the main thing avid readers hope for. He delivered. He delivered and I can’t wait to read his next novel.”
“I laughed out loud reading this book. The characters are wonderful and the descriptions create vivid pictures. I recommended this book to my bookclub and everyone loved it!”
“Featuring cameos from Margaret Atwood and Saint Peter, Mr. Carley’s A Matter of Will is a facetious and bighearted debut which combines the best traditional Canadian storytelling with a memorable modern voice. It follows the endearingly hapless Will Crosswell through cannibalistic minefields of modern theatre, describes his travails in call centre purgatories, and casts him into Newfoundland backwaters, where he’s gone to seek God.
Will Crosswell’s path to the ministry is both intense and funny, reminiscent of Dostoevsky in places. He sees the clergy life as another means to acting, and travels to Newfoundland, embarking on a 40 day fast in imitation of Christ’s desert journey. The ending strains credulity, but satisfies.
Replete with memorable characters, A Matter of Will’s dialogue particularly shines, recalling writers like Mordecai Richler and Douglas Coupland. Mr. Carley’s decades of theatre experience are nowhere more evident than in his command of accents. His take on cubicle culture is hilarious, depressing, and ultimately accurate. Hopefully, he will revisit the call centre setting in future work.
Funny, entertaining, and heartfelt, A Matter of Will is an excellent addition to Canadian canon.”
“A genuine and unsettling cautionary tale describing a life in the theatre and a must-read for anyone foolish or misguided enough to be considering it.”